Since 1999
The contest is "biennale" since 2004
Rimusicazioni Film Festival
The competition began in 1999 on an annual basis. It has been biannualized since 2004. The new edition restarts after the suspension caused by the pandemic emergency. The formula of recent years mainly includes two prizes awarded by two different juries. One by EXPERTS in the sector and one by AUTHORS, former remusic artists, who have participated in past editions of the competition. The two juries judge the contestants simultaneously and independently. I can then reward the contestants themselves. Each individual juror is required to judge the works independently and without first knowing the other jurors. The jurors collectively discuss who to award only after mathematically determining the super finalists of the competition.
roll of honor
June 2025 - April 2026
July 2024 - May 2025
January 2023 - June 2024
June 2025 - April 2026
July 2024 - May 2025
January 2023 - June 2024
HK7 - 2006
HK9 - 2008
HK13 - 2012
HK15 - 2014
This is a Job Description. Briefly describe your specific position, including details about important achievements and milestones. Make sure to include relevant skills and highlights, and don't forget to adjust the timeframe in the subtitle.
This is a Job Description. Briefly describe your specific position, including details about important achievements and milestones. Make sure to include relevant skills and highlights, and don't forget to adjust the timeframe in the subtitle.
This is a Job Description. Briefly describe your specific position, including details about important achievements and milestones. Make sure to include relevant skills and highlights, and don't forget to adjust the timeframe in the subtitle.
This is a Job Description. Briefly describe your specific position, including details about important achievements and milestones. Make sure to include relevant skills and highlights, and don't forget to adjust the timeframe in the subtitle.
This is a Job Description. Briefly describe your specific position, including details about important achievements and milestones. Make sure to include relevant skills and highlights, and don't forget to adjust the timeframe in the subtitle.
This is a Job Description. Briefly describe your specific position, including details about important achievements and milestones. Make sure to include relevant skills and highlights, and don't forget to adjust the timeframe in the subtitle.
First prize: DIE BERGKATZE – Marco Dalpane (ITA)
Second prize: STRAMILANO – Stefano Zorzanello (ITA)
Third prize: THE LODGER – Dario Carrubba (ITA)
First prize:
DIE ABENTEUER DES PRINZEN ACHMED – K. Liekenbroecker (DE)
Second prize:
DOM NA TRUBNOJ – Vadim Sher and Dimitri Artemenko (FRA)
Third prize:
POEM 8 – Anne Gritzner (DE)
Third prize:
THE FALL OF THE HOUSE OF USHER – Eddy Serafini (ITA)
Expert Jury Prize: Not awarded
Prize of the jury of the former remusic artists:
ex aequo
LES TULIPES - Graph (GER)
THE CAMERAMAN - Roberto Zecchinelli (ITA)
Harlock Award:
COMBAT DE BOXE - Giulio L. and Mister Coon - Gianfranco Chiale and Pietro Palladino (ITA)
Harlock Award:
VISIONS OF LOURDES - Rinaldo Marti (ITA)
Harlock Award:
LA PERLE - Selene Solare (ITA)
Audience Award:
THE INFERNAL CAKEWALK - Karateclub (GER)
Facebook Audience Award:
THE LITTLE GARIBALDIN - Heka (GER)
Expert Jury Award:
ex aequo
A PAGE OF MADNESS – Francois Lasserre & Vadim Sher (FR-RUS)
BERLIN, DIE SINFONY DER GROßSTADT – The Somnambulist (GER)
COMBAT DE BOX – Matteo Cillario (ITA)
Prize of the jury of the former remusic artists:
ex aequo LA PERLE - OoopopoiooO (Vincenzo Vasi & Valeria Sturba) (ITA)
BERLIN, DIE SINFONIE DER GROßSTADT - The Somnambulist (GER)
Harlock Award:
Matteo Cillario, Michele Kettmaier/Radio Days, OoopopoiooO, Luca Frigo - Mauro Maffei, Daniele Endrizzi, Mattia Mariotti, Dario Carrubba, Lelio Padovani
Audience Award:
DER GOLEM - Stearic (ITA)
HK16-2016
Expert Jury Award:
LA COQUILLE AND THE CLARGYMAN - Empusae (BEL)
"A creative example of the fusion of music and sound which opens new possibilities for the art of film. A coherent construction of sounds which implies and proposes apparently opposing feelings such as drama and irony; a perfect fusion"
Jury Prize of Authors ex remusicators:
HAXAN - Matti Bye (SVE)
“Matti Bye's soundtrack for the film "Häxan" stood out for the way it enhanced the content of the film's sequences to maximum effect, intimately complementing the theme, atmosphere and various elements in the scenes. The central musical theme, while remaining consistent, ranges between highly evocative free allusions and thematic uniformity in a bewitching flow of wide-ranging sequences, without ever losing expressive tension.”
Audience Award:
ASH - Doriana Legge (ITA)
"Night Effect" Award:
ANEMIC CINEMA - Samuele De Marchi (ITA)
HK11 - 2010
Expert Jury Award:
LA COQUILLE ET LE CLERGYMAN - L'Inquiétant Suspendu (FRA)
Prize of the jury of the former remusic artists:
ex aequo
SKYSCRAPER SYMPHONY - Luca Frigo (ITA)
LA COQUILLE ET LE CLERGYMAN - l'Inquiétant Suspendu (FRA)
Harlock Award:
DE BOXING - Rinaldo Marti (ITA)
Audience Award:
ex aequo
AN ANDALOU CHIEN - Giorgio Cerrato (ITA)
ONE AM - Maria Lughezzani and Matteo Dell'Osso (ITA)
HK18-2018
Expert Jury Award:
IMPATIENCE - OoopopoooO (ITA)
"A well-structured project of image analysis through sounds with successful underlining of shot changes. A refined sound texture for a film that is difficult to interpret and not easy to use that adapts to the scenes without overwhelming them in the viewer's attention levels The music is always adequate to the image both in a dimension that tends to accompany it making it stand out, and in a dimension of subtraction and contrast."
Jury Prize of former remusic composers:
GHOST BEFORE BREAKFAST - Diego Ratto (ITA)
"An original and brilliant re-music, which creates a parallel dimension to Hans Richter's bewildered sequences, while maintaining a meticulous and deeply thought-out adherence to the images.
Concrete sounds, sometimes misleading and sometimes more mimetic, alternate with other sounds of an electronic nature. Alarm clocks, cuckoo clocks, camera clicks become the sound equivalent of breaking plates, opening windows, rotating guns. All like in a false mirror."
Special mention of the artistic direction:
Steffen Wick (GER)
"For the high compositional value of his scores, capable of supporting the dynamics of the film sequences with skill, taste and effectiveness in a dimension of high artistic craftsmanship and in a context of live performance."
